Amongst the soon to be retiring Director’s extensive to-do list, Steven Soderbergh is working on a reboot/adaptation/whatever they are calling it these days of the 60′s spy TV series, The Man From Uncle. Regular Soderbergh sympathiser George Clooney was set to play the lead, Napolean Solo (presumably), but pulled out a few weeks ago for reasons unknown. It may well be that old chestnut, scheduling conflicts, but seeing as the script was apparently finished around the same time, it could be that Clooney didn’t like the role.
Tag Archives: director
It was reported yesterday on Slashfilm, from an article on Deadline, that the proposed Highlander remake has found a new director. Fast Five’s Justin Lin HAD been scheduled to direct, but as he pressed on with another Fast and Furious movie, he dropped out as the Highlander helmer. The new name in the frame is Spaniard Juan Carlos Fresnadillo, director of 28 weeks later, and forthcoming Clive Owen vehicle Intruders. He will apparently direct from a script by Art Marcum and Matt Holloway. The choice of replacing Lin with another up and coming director with a solid track record so far is encouraging, and the fact that Summit Entertainment have gone ahead and named a new director suggests that Highlander may begin progressing. I guess the big question, then, is do we need a Highlander reboot?
When X-Men Origins: Wolverine was conceived, it seemed fairly obvious that there would be a high chance of at least one follow-up. Coming as a spin-off from a franchise with three movies already under its belt, there was not chance it was ever going to be a stand alone art project. When it was released to such poor critical reception, however, one could be forgiven for thinking it might be the end of the road. This was not the case however, and Fox pressed on with plans for a second Wolverine film regardless. Continue reading
In the run-up to Sundance, the film festival currently taking place in Utah, filmmaker Kevin Smith announced that he would be holding an auction for the distribution rights for his latest film, Red State, immediately following its showing at the fest. This created a lot of anticipation for both the film, and the aftermath, leading to Red State being the hottest ticket in town this past weekend. In the end, it turned out to be somewhat of a ploy, as Smith bought back his own film for $20, and proceeded to lay in to the Hollywood studio system, which would have been well represented in the room with many studios keen for the chance to distribute Smith’s religious horror film. Continue reading